Why? Because I got too excited during Track 14 and hopped my face off the guard rail, missing all the little nuances of the middle eight. Prior to launch, the Swedish studio called Sayonara Wild Hearts ‘a pop album video game,’ but I see it more as an elaborate, yet tight, stadium show from a chart-topping synth group, with all the bells and whistles befitting an arena that holds thousands. Praising one is to praise the other, such is developer Simogo’s commitment to the unification of both what you hear and what you see. I can’t highlight the mesmerism of Sayanora Wild Hearts’ shifting perspectives and flickering lights without applauding its masterfully arranged sounds, which have been swirling around my head for the past week.
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